I had an extra shot of the baby coyote from up close, where I actually approached him and touched his head. He was weak and calling for his mother, and lay there under a tree. I gotta figure out why the digital recorder is not always capturing.
Everything was shot on a Sony HVR-Z5U camera, which was part of the Cannes award by the National Film Board of Canada. It's a great camera, I'm just not such a great cameraman and my moves are always jumpy when I'm zoomed in a lot.
I edited in Premiere and used a plugin called Magic Bullet Looks for quick dreamy-like looks or high contrasts. It took me about 4 hours to edit, I just picked the best shots and tried to get a somewhat narrative idea through different "acts" (coyote/death, canyon edge, dreamy sequence, Sedona wind).
And I was inspired by Matthew Brown (http://vimeo.com/11538086), but I have not a billionth of his camera or editing talents ;)
I edited in Premiere and used a plugin called Magic Bullet Looks for quick dreamy-like looks or high contrasts. It took me about 4 hours to edit, I just picked the best shots and tried to get a somewhat narrative idea through different "acts" (coyote/death, canyon edge, dreamy sequence, Sedona wind).
And I was inspired by Matthew Brown (http://vimeo.com/11538086), but I have not a billionth of his camera or editing talents ;)
